Archive for the ‘Music’ Category

Notes to Independence Day, 1842.

August 3, 2015

IMG_2397Published in the Raleigh Register, Friday, 15 July 1842–

The Raleigh Register and North-Carolina Weekly Advertiser was published weekly in Raleigh beginning in 1799, and in various formats and title variations to 1852.  Its publisher, Joseph Gales, was a well-known British immigrant who was sympathetic to the French Revolution and Thomas Jefferson.  It was a leading poltical voice in North Carolina, first for Jefferson’s Republican Party and later for the Whig Party.  Gales became one of Raleigh’s leading citizens and advocated for internal improvements and public education.  He privately favored the emancipation of slaves and publicly advocated for the American Colonization Society.  He served several terms as Mayor of Raleigh, and was doing so when he died, 24 Aug. 1841.  His son Weston Gales was editor and publisher of the newspaper in July 1842.

Upper Mill before 1946 (no laboratory, b. 1946)

Upper Mill before 1946 (no laboratory, b. 1946)

“Celebration at Franklinsville, Randolph County”–

The writers had to be specific, as most readers in Raleigh and the rest of the state would not have been familiar with the tiny community, less than 4 years old.  Modern Franklinville is made up of two initially independent mill villages, Franklinsville and Island Ford, separated by about three-quarters of a mile of Deep River.   The original Franklinsville mill village was developed by the mill corporation beginning in 1838, on property adjoining the grist mill on Deep River belonging to Elisha Coffin.  Coffin, a miller and Justice of the Peace, purchased the property in 1821. [Deed Book 14, p.531 (Ward to Elisha Coffin, 25 Dec. 1821)] Coffin was the initial incorporator of the factory, and developed the new town on the slope between his house and the mills.  The community formerly known as “Coffin’s Mills on Deep River” had “assumed the name of Franklinsville” by March 8, 1839.   Officially named to honor Jesse Frankin, a former N.C. Governor and Congressman from Surry County, unoffically Coffin and his anti-slavery family and investors apparently meant to honor Franklin  for his crucial vote to keep slavery out of the Northwest Territory (now Ohio, Indiana and Illinois).  “Franklinsville” was officially recorded in the town’s 1847 legislative act of incorporation.[ Chapter 200, Private Laws of 1846-47, ratified 18 Jan. 1847].  The community surrounding the factory was the largest urban area in Randolph County until 1875.

“The Visitors… amounted to 1200 or 1500”-
The entire population of modern Franklinville is less than 1500;  the 1840 census of Randolph county found the total population to be 12,875 people, so if 1500 people actually attended this event, that would have constituted about 11% of the residents of the entire county in 1842.

OSV Marines 1812

OSV Marines 1812

“The Franklinsville Volunteer Company of Light Infantry”-
The state militia, organized by county and divided into “Captain’s Districts,” had been the foundational political body in North Carolina since colonial times.  The militia had been reorganized in 1806 (Revised Statutes, Chapter 73) to allow “Volunteer”companies raised by private subscription in addition to the official “Enrolled” companies made up of “all free white men and white apprentices, citizens of this State, or of the United States residing in this State, who are or shall be of the age of eighteen and under the age of forty-five years…”   Enrolled companies were known by the name of the commanding Captain, and Randolph County was divided geographically into about 12 Captain’s Districts, which functioned much like modern voting precincts.  Each district had its own “muster ground,” and four times each year were required to assemble and practice military drills.  One of the annual musters was usually also election day, and the men voted by district.

NC Militia Officer 1840

NC Militia Officer 1840

Prior to the creation of the new town of Franklinsville, men of that area of Deep River were considered to be part of the “Raccoon Pond District,” unusual in the fact that it was named after a geographical feature and not after its Captain.  As Captains often changed, making the location of muster fields and districts hard to pin down, this distinction allows to us pinpoint the area of the Raccoon Pond District, even though the pond has over the years silted up and is no longer known as a modern landscape feature.  Raccoon Pond (by the account of Robert Craven and other local residents) was situated at the base of Spoon’s Mountain, south of the modern state road SR 2607 and west of its intersection with SR 2611, Iron Mountain Road.  The Spoon Gold Mine was located in the area later in the century, and probably helped to silt up the pond.  The enrolled militia of the Raccoon Pond District in 1842 was evidently headed by Captain Charles Cox.

IMG_2393
Volunteer militia companies were considered the elite of the citizen army and their members were exempt from service in the enrolled companies.  Because they were organized and equipped by those who could afford to raise their own private company, volunteer companies enjoyed preferential placement in reviews, and were often the last to see actual service.  Volunteer companies also functioned as social organizations, sponsoring dances and suppers to entertain ladies; could dress themselves in elaborate uniforms, and were usually known with impressively martial names such as “Dragoons,” “Light Infantry,” or “Grenadier Guards.”  The “Fayetteville Independent Light Infantry,” formed in 1793, is a unique survivor of this type, and  is known as “North Carolina’s Official Historic Military Command”  They provide an honor guard at special events, funerals and dedications.
http://www.fili1793.com/  The Washington Light Infantry (WLI), organized in Charleston in 1807, is another of these old original militia units, named in honor of George Washington.

Independence Day OSV 2

Independence Day OSV 2

Technically, light infantry (or skirmishers) were soldiers whose job was to provide a protective screen ahead of the main body of infantry, harassing and delaying the enemy advance. Heavy infantry were dedicated primarily to fighting in tight formations that were the core of large battles.  Light infantry sometimes carried lighter muskets than ordinary infantrymen while others carried rifles. Light infantry ironically carried heavier individual packs than other forces, as mobility demanded that they carry everything they needed to survive.  Light infantrymen usually carried rifles instead of muskets, and officers wore light curved sabres instead of the heavy, straight swords of regular infantry.
The name “Franklinsville Volunteer Company of Light Infantry” was evidently a cumbersome mouthful, as it was officially reorganized in 1844 as the “Franklinsville Guards.”  See the Session Laws of the General Assembly of 1844/45:  The legislature went into session on 18 Nov. 1844, and Henry B. Elliott of Cedar Falls was accredited to represent Randolph County (Senate District 35).   (Thurs. 11-28-44) “Mr. Elliott presented a Bill, entitled A Bill to incorporate the Franklinsville Guards in the County of Randolph, which was read the first time and passed.” (p57). The Bill was passed a second time by the Senate on Monday 2 Dec. 1844 (p78); and passed and third time, engrossed and ordered to be sent to the House on Tuesday 3 Dec. (p84).  The House of Commons received the engrossed bill and a note “asking for the concurrence of this House” on 23 Dec.; it was read the first time and passed that day (p277), and was passed the final time on Jan. 1, 1845 at 6:30 PM. (p652).

Alexander S. Horney, circa 1870.

Alexander S. Horney, circa 1870.

Captain Alexander Horney”-  
Alexander S. Horney (26 March 1815 – 19 July 1891), was the son of Dr. Philip Horney (1791-1856).  Both sides of his family, the Horneys and the Manloves, were well-known Guilford County Quaker families. Like Elisha Coffin, Dr. Horney may have been forced out of communion with Friends by his marriage to Martha (“Patsy”) Smith (?-1871).  The small wooden factory which opened at Cedar Falls in 1836, was owned in partnership between the Horneys and Benjamin and Henry Elliot, father and son lawyers. Alexander S. Horney married the daughter of Elisha Coffin; their son Elisha Clarkson Horney was mortally wounded at Gettysburg.  Their daughter Mattie married Robert Harper Gray, the son of General Alexander Gray.  Robert Gray was the captain of the Uwharrie Rifles, a volunteer company raised in 1861 in the Trinity area.  He died in service in 1863.  Alexander S. Horney served as chairman of the county commissioners for many years after the war.

Muster Ground?

Muster Ground?

the area skirting the North side of the Factory”-
This must refer to the company muster ground, but I think that the writers must have meant the area to the East side of the factory, which was (and is) a level area of bottom land.  The area to the north would not have provided more than 50 feet of manuvering space.  Franklinville is sited on a penninsula bordered on the South by Deep River, on the east by Sandy Creek, and on the West by Bush Creek.  The land rises toward the northwest from the floodplain of the river, where the mills were located which provided the economic backbone of the village, together with their ancillary warehouses, storehouses, and barns.  On a level about ten feet above the mill to the north were located the company store and company boarding house; to the south and across the mill race were the homes of the miller and company president.  North of the store on a terrace about fifteen feet higher was the “Cotton Row,” housing built by the mill for the workers.   About ten feet higher still, and trending northwest up the hillside, were located the larger homes of tradesmen, craftspeople and professional men such as Dr. Phillip Horney.  The lots higher up the hill had been sold privately to friends and family members by Elisha Coffin, promoter of the factory and owner of all the acreage around the mill.   Lots for public institutions such as the school, meeting house, cemetery and town hall were located near the top of the river-front arm of the hill, with stores fronting the road leading north toward Greensboro.   At the crest of the hill was situated Elisha Coffin’s own house, surrounded by its community of “dependencies”—office, kitchen, smokehouse, well house, icehouse, dairy, animal sheds, stable, barn, and servant houses.

George Makepeace circa 1850

George Makepeace circa 1850

the Grove fronting the residence of Mr. Makepeace”-

George Makepeace (1799-1872) was a textile manufacturer and millwright born in Norton, Massachusetts.  He and his brother Lorenzo Bishop Makepeace had been owners and operators of a cotton mill in Wrentham, Massachusetts, which failed in the mid-1830s.  Lorenzo Makepeace was hired to work in a factory in Petersburg, Virginia, and Elisha Coffin may have heard from him about the availability of George Makepeace during his trip “to the North” on company business in 1838. Makepeace and his family were on their way to Randolph County when his daughter Ellen was born in Petersburg, Virginia, on Christmas Day, 1839.  As a skilled expert in textile technology, Makepeace was much in demand around the Piedmont.
The location of Makepeace’s residence in 1842 is unclear, as he rented from the factory corporation.  Given the description of the Coffin house as being “on the opposite hill” from the Makepeace house, I am assuming that one of the homes on the east side of Walnut Creek is indicated.  It could have been one of the three mill houses on the hill south of the modern Quick Check, or it could have been the Lambert-Parks House at East Main St., which at some time also became the residence of A.S. Horney.

Summer gowns 1840

Summer gowns 1840

unknown Franklinville girl, circa 1850.

unknown Franklinville girl, circa 1850.

The Young Ladies, all dressed in white, were arranged in a line”-

The majority of the employees of the factory were women and children, as one important reason for founding the factory in this age was to provide for the social welfare of widows and orphans who had no “breadwinner” to pay their room and board.  Though even at this early date women who worked in cotton mills of England were considered debased and lower class, the “mill girls” of New England had a reputation for being intelligent, well-educated and virginal.  Even Charles Dickens was shocked at the difference between the mill girls he met at Lowell, Massachusetts, and the slovenly illiterate workers he knew from the British workhouses.  The good character and morality of the workers along Deep River was one of the important selling points for the antebellum factory owners in attracting residents and new employees.

Mill Girls from the Weave Room

Mill Girls from the Weave Room

The historian Holland Thompson, whose mother worked in the mills in Franklinsville, and whose grandfather Thomas Rice was a contractor who built the factories and covered bridge, wrote: “Upon Deep River in Randolph county… the Quaker influence was strong. Slavery was not widespread and was unpopular. The mills were built by stock companies composed of substantial citizens of the neighborhood.  There was little or no prejudice against mill labor as such, and the farmer’s daughters gladly came to work in the mills.  They lived at home, walking the distance morning and evening, or else boarded with some relative or friend near by.  the mill managers were men of high character, who felt themselves to stand in a parental relation to the operatives and required the observance of decorous conduct.  Many girls worked to buy trousseaux, others to help their families.  They lost no caste by working in the mills.”  [Holland Thompson, From the Cotton Fields to the Cotton Mill.  MacMillan, 1906]

As the primary product of the factory was white or unbleached cotton “sheeting,” it is probable that the factory provided the raw materials for the dresses and the flags.

Regimental Flag 2nd Cavalry

Regimental Flag 2nd Cavalry

“beautiful white Flag”-

It was a tradition for young women of the community to design, sew and present to the militia company a banner which would identify the company when in formation with the battalion.  They usually were embroidered with inspirational and patriotic slogans or mottos.  In 1861 a group of young ladies presented a similar silk banner to the Randolph Hornets, organized by the Cedar Falls Company to represent both Cedar Falls and Frankinsville.  The banners mentioned in this article have been lost, but the Hornets banner is preserved in the Asheboro Public Library.

folk art Quilt

folk art Quilt

IMG_2389

presented… through James F. Marsh”-

In 1842 James F. Marsh (1920-1902) was evidently the “Agent,” or business manager, of the Cedar Falls Company.  He was newly wed, having married Mary Ann Troy (1825-1856 on January 27, 1842.  That made him a son-in-law of Franklinsville company President John B. Troy.  Marsh founded a business turning wooden bobbins for the factories in Cedar Falls in the later 1840s. The relationship of James F. Marsh and merchant Alfred H. Marsh  of Asheboro is unclear.  Genealogists state that James F. Marsh was the son of Robert H. Marsh of Chatham County, who has no apparent relationship to Alfred Marsh.  But Alred Marsh seems to have treated like a son, whatever their relationship.  JA Blair says that the original Cedar Falls partners were Benjamin Elliott, Henry B. Elliott, Phillip Horney, and Alfred H. Marsh.  James F. Marsh became a Director of the company in 1847.  Marmaduke Robins lived in the former Alfred H. Marsh house in Asheboro, originally containing 52 acres. Sidney Robins says the ell was added to the house for the wedding of “young Jim Marsh” (Robins, Sketches of My Asheboro.)  The county issued a Peddler license in 1845 to “Marsh, Elliott & Co.” (Randolph County 1779-1979, p43).  Alfred H. Marsh was listed as “merchant” in 1850 & 1860 censuses of Asheboro; he signed on to the 1828 Charter for the Mfg Company of the County of Randolph; was a Trustee of Asheboro Female Academy, 1839 (Southern Citizen, 6-14-39).  James F. Marsh moved to Fayetteville around 1850 and was involved in a number of businesses, including a wholesale freighting business with his father in law, a steam boat line on the Cape Fear, and supervising construction of the Fayetteville and Western railroad.

Coffin's Grove today, at 722 West Main Street, Franklinville.

Coffin’s Grove today, at 722 West Main Street, Franklinville.

proceeded to [the stand at] MR. COFFIN’S Grove, on the opposite hill”-

Mr. Coffin’s Grove was and is at the top of the hill leading up from Walnut Creek, known as Greensboro Road and West Main Street.  His house, built about 1835, is now my house.  There was an extensive grove of large oak trees, dating back to the 1770s, on the crest of the hill between the house and the school and meeting house across the street.  Only two oak trees survive from the grove; 3 have died since I came to town in 1978, and the depressed spots in the yard where several others stood can still be seen.   When the property became the home of the Makepeaces, residents began to refer to the “Makepeace Grove,” and the Courier newspaper in the early 20th century still mentions the church having entertainments and ice cream socials in the Makepeace Grove.

Elisha Coffin, circa 1860.

Elisha Coffin, circa 1860.

Coffin's House, with part of the oak grove, circa 1940.

Coffin’s House, with part of the oak grove, circa 1940.

Elisha Coffin (1779-1871) was a member of the well-known Quaker family of Nantucket Island, Massachusetts.  His father had emigrated to North Carolina after beginning a career in whaling, and married Hannah Dicks, the daughter of a Quaker preacher.  In North Carolina Elisha’s sea-faring father became a miller, and Elisha too learned to follow that trade. In 1807 he married Margaret McCuiston, also perhaps a miller’s child, and also something worse: a Presbyterian.  Such an alliance was not sanctioned… Elisha was disowned “for marrying out of Unity.”  He was never again officially a Friend, but never does he seem to have strayed far from their influence.  This seems to have been especially true in regard to the Friends’ testimony against negro slavery.  During the ‘teens and ‘twenties Elisha was several times a delegate to the meetings of the North Carolina Manumission Society, an organization which sought to gradually “manumit,” or free, slaves.  At times he took a more active role, according to Levi Coffin, Elisha’s first cousin and the so-called “President” of the Underground Railroad.  While he was engaged in purchasing the Franklinville property in the fall of 1821, Levi writes that Elisha, his father and his sister smuggled an escaped slave named Jack Barnes from Guilford County into Indiana, trailed all the while by Levi and the angry slaveowner.
Coffin was presiding Justice of the county court in 1833 and 1834, and was involved in several schemes for the improvement of transportation and education.  When pro-slavery investors Led by Hugh McCain took control of the governing board of the Franklinsville factory in 1850, Coffin sold his home and property to George Makepeace, superintendent of the cotton mill.  See Deed Book 28, pages 479 and 483.  Coffin bought what is now known as “Kemp’s Mill” on Richland Creek about 5 miles south of Franklinville.  See Deed Book 28, page 489.  His son Benjamin Franklin Coffin lived not far away.  Elisha Coffin subsequently seems to have turned back towards the Friends of his youth; in 1857 he sold his rural Randolph County mill and moved back to New Garden in Guilford County, the community of his birth.  See Deed Book 30, page 515, Randolph County Registry, and Deed Book 37, page 670, Guilford County Registry.  There he ran the college grist mill until his death in 1871.

Fife Drum OSV

Fife Drum OSV

led by their Band of Musicians in the front”-

Milita companies of the time would have had boys playing fife and drums, which were used to keep up a marching rhythm and beat.  In a light infantry company, orders were sent by bugle or whistle instead of drum, since the sound of a bugle carries further and it is difficult to move fast when carrying a drum.  There were many tunes written and performed by fife and drum bands.  “Huzza for Liberty” by George K. Jackson (1796) was rousing song used by militia men on marches.  Old Sturbridge Village, which recreates the period of the 1830s and 1840s New England, maintains such a band for regular performances. See the following:
https://www.youtube.com/watch?v=RPd3L5QJQT4
https://www.youtube.com/watch?v=MlBasZfmD2I

Fa sol La Mi

Fa sol La Mi

the Sacred Harp

the Sacred Harp

a Hymn was read and sung”-

For a hymn to be “read and sung,” it would have been done in an ‘a cappella’ call-and-response manner, as in shape-note singing. In that style of singing a Song Master “sang the notes” pitched to his set of tuning forks; then “read out” the words to the group, line by line, with the group alternately responding by singing the hymn, line by line. The practice of singing music to syllables designating pitch goes back to about AD 1000. Shapes to indicate the tone of a note were developed in New England, and used as early as the 1698 edition of the Bay Psalm Book (first published in 1640 and the first book printed in North America).  They were designed to facilitate community singing at a time before hymn books, and for people who could not read standard musical notation. The system that became most popular in the South was the “Sacred Harp” tradition (first published in 1844) of four shapes — triangle-oval-square-diamond–  corresponding to the “fa-sol-la-mi” syllables of the C-major scale.  After 1846 a seven-shape notation grew in popularity.

The familiar hymns of today were just beginning to be sung in the 1840s.  One of the earliest known printings of the tune for “Amazing Grace” is an 1831 shape note hymn book published in Winchester, Virginia.   It is titled “Harmony Grove” in The Virginia Harmony and is used as a setting for the Isaac Watts text “There Is a Land of Pure Delight”.  The modern “Amazing Grace” text was not set to this melody until the 1847 Southern Harmony, where the tune was called “New Britain”.

For this occasion, I assume that a ‘patriotic’ hymn was the order of the day.  “America the Beautiful,” now widely considered as the American patriotic hymn, was not published until 1910.  “Chester,” written by William Billings (1746-1800) of Boston and first published in 1771, was unofficially considered the national hymn of the American Revolution, so I offer it in this place:

https://www.youtube.com/watch?v=wqQrWKfLNcw

Minister OSV

Minister OSV

a Prayer delivered by the Rev. MR. HENDRICKS”-

Hendricks must be the person previously referred to as “the Chaplain,” but the “Rev. Mr. Hendricks” is something of a mystery. The “Preacher in Charge” of the Franklinsville Methodist Church from its creation in August 1, 1839 until his transfer in 1847 was T.R. Brame.  A John Hendricks was one of the named Trustees of the Franklinsville Methodist Church when Elisha Coffin deeded them land “for a burying ground”, on November 2, 1844.

John Hendricks (1796-1873) was listed as living in Franklinsville (adjoining Elisha Coffin, Leander York, Philip and Alexander Horney) in the census of 1840. In 1817 he was to married Nancy Macon (1800-1853), daughter of Gideon Thomas Macon of the Holly Spring area.  Their son Thomas Alston Hendricks (1823-1879) was one of the 15 initial stockholders of the Island Ford mill in 1846.  Thomas A. Hendricks md. Permelia Johnson, 1 March 1845, and his bondsman was Dr. Alfred Vestal Coffin.  The census of 1840 lists 15 residents of his home, 5 of whom worked in manufacturing.  This indicates that he may have operated the factory’s boarding house, although the 1850 census lists 12 family members by name.  That census lists John Hendricks occupation as “carpenter” and his son Thomas as “manufacturer.”

The tombstone of Nancy Macon Hendricks in the Franklinsville Methodist cemetery reads “Nancy/ wife of Rev. John Hendricks/ born March 30, 1800/ died March 18, 1853.”  There is no other record of John Hendricks as a recorded minister.

Fife Drum OSV2

Fife Drum OSV2

A National Air was then played by an excellent Band”-
Our current “National Air” or anthem is of course The Star-Spangled Banner, but it probably was not the song played in this position on the program.  President Woodrow Wilson ordered first ordered the SSB to be played at military and naval occasions in 1916, but it was not designated the national anthem by an Act of Congress until 1931.   Before that time, “Hail Columbia” had been considered the unofficial national anthem.  The words to “Hail Columbia, Happy Land!”   were written in 1798 by Joseph Hopkinson (son of Francis Hopkinson, composer and signer of the Declaration of Independence), and set to the tune of “The President’s March,” a tune composed by Philip Phile for President George Washington’s inauguration.  ‘Hail Columbia’ is still used as the official song for the Vice President of the United States of America.

Independence Day OSV

Independence Day OSV

The Declaration of Independence was read”-

[Of course this was the whole point of the day, reminding the crowd of the founding of the country 66 years before.]

Norfolk Guards QuickStep Sheet Music

Norfolk Guards QuickStep Sheet Music

after Music” the Orator spoke-

Whether vocal, instrumental or military, there is a wealth of American Independence Day music that could be inserted here.  “The Liberty Song”, written by Founding Father John Dickinson in 1768 and set to the music of William Boyce’s “Heart of Oak” was perhaps the first patriotic song written in America. The song contains the line “by uniting we stand, by dividing we fall…”  Others written in the 18th century were “Ode for the 4th of July” and “Ode for American Independence” (1789).  “The Patriotic Diggers,” published in 1814 was popular in the period. If it was another ‘patriotic hymn’ read and sung, “The American Star” is a good possibility because it is one of the few non-religious songs published in the original Sacred Harp hymnal (#346, 1844 ed.).  The first publication of the song was in an 1817 collection entitled The American Star, which was inspired by the War of 1812 and also included the first printing of the Star Spangled Banner.   White and King’s “The Sacred Harp” was first published in 1844, but it was based on William Walker’s “Southern Harmony” (1835).

Henry Branson Elliott, circa 1850

Henry Branson Elliott, circa 1850

“the Orator Henry B. Elliott”-

Henry Branson Elliott (11 Sept. 1805- 14 Jan. 1863) was one of the most progressive figures in antebellum Randolph County.  His father Benjamin Elliott (1781- 27 Feb. 1842) had been Clerk of Superior Court and the commanding Lt. Colonel of the enrolled militia.  Elliott graduated from UNC Chapel Hill in 1826 and did post-graduate work at Princeton (Mrs. Laura Worth, History of Central Hotel, August 1940).  The Raleigh Register noted on March 14, 1837 that “Messrs. Elliott, Horney and others have been for some time actively engaged in erecting a Cotton Factory at the Cedar Falls on Deep River… we understand they are making rapid progress, and likely to get the machinery into complete operation some time during the prssent spring.”  By mid-June the 500-spindle factory  was making “superior quality cotton yarn” for sale to hand weavers. (Southern Citizen, 17 June 1837).  In November 1838 the Elliotts purchased the ownership interest of the Horneys, who had invested in the factory in Franklinsville (Deed Book 22, Page 89), and in December of that year they sold a one-quarter interest to Alfred H. Marsh, an Asheboro merchant, and their son- and brother-in-law.   Elliott was elected to a term in the state Senate in 1833, and campaigned across the state in favor of the first public school referendum in 1839.  He served as Clerk and Master in Equity in 1841 while Jonathan Worth campaigned for Congress, and in 1842 was elected to replace Worth in the state Senate.  In the Senate Elliott served as chairman of the committee on the State Library, and of the committee “on the subject of a state Penitentiary,” a state-funded prison which was proposed as a progressive alternative to the stocks, pillories, and whipping post.  Of his service in the Raleigh Register noted that “Mr. Elliott, of Randolph, is one of those industrious, hard-working members, who, though qualified to shine in debate, seldom occupies the time of the house in displays of that kind, but is content to pursue the even tenor of his way, in discharging the not less useful, but less attractive, duties of a thorough business committeeman.” (Greensboro Patriot, 18 Jan. 1845, quoting Raleigh Register).  Elliott continued to own and operate the Cedar Falls factory until a series of financial reverses in the 1850s.  He moved his family to Missouri in 1859, and in the census of 1860, his occupation is listed as “Tobacconist.”

Mark Antony's Funeral Oration for Caesar (c) Hartlepool Museums and Heritage Service; Supplied by The Public Catalogue Foundation

Mark Antony’s Funeral Oration for Caesar (c) Hartlepool Museums and Heritage Service; Supplied by The Public Catalogue Foundation

As a candidate for the state Senate, it was natural for Henry Branson Elliott to agree to speak to such a crowd, even at short notice (the speech was “hastily prepared”).  As a graduate of the state university and of Princeton, Elliott would have been familiar with preparing and delivering classical orations as a normal and typical part of the educational process.  Even in modern classrooms the oratorical model is still used as a persuasive model for argumentative papers.  The text of Elliott’s speech is unknown, but its format would have been clear to every educated man in 1842.  Any classical oration consists of six parts:

Exordium: The introduction
Narratio: Which sets forth facts of the case.
Partition: Which states the thesis of an argument
Confirmatio: Which lays out and supports the argument
Refutatio: Which examines counter arguments and demonstrates why they aren’t compelling.
Peroratio: Which resolves the argument and makes conclusions.
[http://www.public.coe.edu/wac/classicalessay.htm ]

Orations were a staple of antebellum Independence Day celebrations.  One of the most famous was delivered by the lawyer Francis Scott Key (1779-1843), in the Rotunda of the U.S. Capitol on the 4th of July, 1831.  The author of the poem “The Star Spangled Banner” addressed a city divided by the policies of President Andrew Jackson and counseled moderation and a focus on the history of the day.  “The spectacle of a happy people, rejoicing in thankfulness before God and the world for the blessing of civil liberty,” said Key, “ is no vain pageant.”
Another historically significant oration took place on the same day at nearly the same time that Elliott was speaking in Franklinsville.  Horace Mann (1796-1859), educator and statesman delivered the annual oration at Fanueil Hall in the city of Boston, on July 4, 1842.  Mann broke with the traditional oratorical expectation that the speaker would glorify America, and instead stressed the importance of educational reform and the principle that effective self-government depended on a well-educated populace.  Mann’s oration runs to 44 printed pages, printed as part of a July 4th tradition that began in 1783 and continues to this very day.

https://archive.org/details/orationdelivered00mann

Shape Note Choir

Shape Note Choir

A patriotic Song was then sung  by a Choir of Ladies and Gentlemen selected for the purpose”-
As distinct from the hymn “read and sung” by the entire crowd, this was apparently a group concert performance.  I submit that the appropriate ‘patriotic song’ here would have been “My Country, ‘Tis of Thee”, also known as “America”, which served as one of the de facto national anthems of the United States during the 19th century.  Its lyrics were written by Samuel Francis Smith, and the melody used is the same as that of the national anthem of the United Kingdom, “God Save the Queen.” The song was first performed in public on July 4, 1831, at a children’s Independence Day celebration  in Boston. It was first published in 1832.   Interestingly for the anti-slavery background of the Franklinsville crowd was that additional verses of an Abolitionist nature were written by A. G. Duncan in 1843.  Jarius Lincoln, [ed.] Antislavery Melodies: for The Friends of Freedom. Prepared for the Hingham Antislavery Society. Words by A. G. Duncan. (Hingham, [Mass.]: Elijah B. Gill, 1843), Hymn 17 6s & 4s (Tune – “America”) pp. 28–29.

$10 gold piece

$10 gold piece

the following Resolutions were offered”-

A resolution is an official written expression of the opinion or will of a deliberative body, proposed, considered under debate and adopted by motion.  To modern politicians resolutions have become a rote and usually pointless part of the parliamentary process which merely states something obvious and has no legal impact or meaning.  But in antebellum America the process of considering a voting upon a resolution, even as simple and seemingly pointless as this one thanking the speaker for his address and the village for its hospitality, was a vital and important part of the Independence Day celebration.

Why?  Because the Declaration of Independence itself was actually  the Resolution of Independence, ratified by the Continental Congress in 1776 as a public statement by the 13 American colonies expressing their consensus that they were now independent of the British Empire.  What became known as the “Lee Resolution” was was an act of the Second Continental Congress first proposed by Richard Henry Lee of Virginia on June 7, 1776.  Jefferson’s draft of a formal declaration was presented to Congress for review on June 28. Lee’s resolution was actually adopted on July 2, 1776; Jefferson’s edited Declaration for final signing on July 4.
The process of adopting the sense of the assembly in the form of resolutions was a reminder to all attending of the process and procedure of democracy.  Even though the civics lessons were part of formal schooling, going through the formal process of proposing and adopting resolutions was a tangible reminder, at least annually, of the mechanics of government.

IMG_2391by John B. Troy, Esq.”-

Likewise, appointing a committee to complete additional business of the meeting was a another part of formal parliamentary procedure.
John Balfour Troy of Troy’s Store (now Liberty) was the grandson of Revolutionary War hero and martyr Colonel Andrew Balfour.  He made an extensive investment in the founding of the Franklinsville factory and was elected President of the company.  Troy was a Steward of Bethany Church near Liberty, built on the site of the former “Troy’s Camp Ground.”  His son-in-law  James F. Marsh was already on the program; his other son-in-law J.M.A. Drake was one of the founding Trustees for the Frankinsville Methodist Episcopal Church.  James Murray Anthony Drake (ca. 1812-?) was a lawyer and married Eliza Balfour.  Drake later served as county jailer and operated a hotel in Asheborough.

IMG_2383John R. Brown”-
Apparently this was John R. Brown (17 Jan. 1811 – 30 October 1857), son of Samuel Brown (1762-1843), both residents of the Holly Spring Friends Meeting community.  Brown was one of the 15 signers of a petition to the Randolph County court dated January 8, 1842, which attested that William Walden and his four sons, “free persons of colour” and residents of the county, were of good character and were recommended to be allowed to carry fire arms.  [Randolph County, 1779-1979, p. 73.]

IMG_2394
Wm. J. Long”
William John Long received a degree from UNC Chapel Hill in 1838; born in Randolph County in 1815, he was the son of Congressman John Long of Long’s Mills, north of Liberty.  A lawyer, he served as a member of the General Assembly in 1861.  He died in Minneapolis, MN in 1882.   His brothers were James Allen Long (1817-1864) UNC AB 1841, a “journalist,” and John Wesley Long (1824-1863) UNC AB 1844, MD, Univ. PA.

Dinner on the grounds

Dinner on the grounds

A large number set down to a sumptuous dinner, prepared by MR. HENDRICKS, and many others shared the hospitality of the Citizens of the place.”-
With 1500 people in attendance, I am assuming that perhaps only the invited guests who took part in the program were fed by Hendricks (perhaps in his boarding house?)  Everyone else would have scattered all over town.  There is no indication that there was a massive outdoor barbecue or “ox roast,” but that is a possibility.

the upper Mill, circa 1875

the upper Mill, circa 1875

The Factory building is a large and imposing brick edifice.”

The three-story factory was modeled on the typical “Rhode Island Plan” factories of New England.  It must have been imposing to the visitors, as it was larger than the courthouse or any church in the county.  Both the factory and the Coffin mansion were built of brick made in the village.  The foundations of the factory, and the “Picker House” where bales of cotton were opened, were made of stone quarried from the bluff at the mouth of Bush Creek.  No larger factory was built until the Cedar Falls mill was remodeled in 1847, and the “Union Factory” (now Randleman) was built in 1848.  The Island Ford factory (1846) and the Columbia Factory (Ramseur, 1850) were about the same size.

Boston Mfg Co.mill at Waltham, Mass., shows the type of  dormer windows used on the Franklinsville factory.

Boston Mfg Co.mill at Waltham, Mass., shows the type of dormer windows used on the Franklinsville factory.

“between the dormant windows”-
This is an archaic form of the word “dormer;”  referring to the small windows which lit the fourth or attic floor of the mill.   In 1806, the British House of Commons paid for repairs to the slates, “valleys and flashings to dormant windows” of Dr. Stevens’s Hospital (Journals of the House of Commons, Vol. 61, p755)
Accounts of the April, 1851 fire that destroyed the factory noted that the fire began on this floor of the mill, in the “Dressing Room.”  The dressing machine (later called the “slasher”) was a machine that brushed hot starch, or “sizing,” on the cotton yard which was to be used as warp in the looms.  The liquid starch was then dried by hot air or steam, meaning that a source of heat had to be present.

Folk Art flag

Folk Art flag

a white flag…upon which was painted a large Eagle… protector… of industry”-
The American Eagle was perhaps the most common motif in early American political art.  Early labor unions often portrayed an Eagle draped in or “guarding” a flag and gear wheel, to indicate that America protected and supported its nascent industries.

Temple of Venus and Rome

Temple of Venus and Rome

“the lamp of freedom… the sacred altar of liberty… more favorable auspices…”-

The flowery language of the final two paragraphs was a very common peroration or exhoration in public speech of the time, and might even have been copied from Henry B. Elliott’s oration of the day.  All of the images were intended to invoke the history, mystery and splendor of Imperial Rome, very familiar to the audience from school lessons.  “Taking the auspices,” for example, referred to the process which a civil priest, the Augur, interpreted signs and omens from the observed flight or internal organs of birds. The Roman historian Livy stresses the importance of the Augurs: “Who does not know that this city was founded only after taking the auspices, that everything in war and in peace, at home and abroad, was done only after taking the auspices?”  The general sense is all that omens indicate a bright future for the United States as long as the present generation respects previous generations such as those who signed the Mecklenburg Declaration of Independence in Charlotte in 1775, or Herman Husband of Liberty and his fellow tax protestors who fought the War of the Regulation at Alamance Battleground in 1771.

 

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More on Charlie Poole and Daner Johnson

July 15, 2014

Charlie Poole porch swing

I have recently had several inquiries regarding Charlie Poole and Daner Johnson from people who have read my previous posts.  I purposefully didn’t include a lot of genealogical material there, but as usual, many of the interesting details of the lives of local people relate to their families.

Since Daner is supposed to have been the teacher of Charlie, I decided to go back and unearth as many facts about their family connections as I could find.

The Pooles.

There are a couple of direct entries on Charlie Poole in ancestry.com, but all entries have issues, especially with dates of birth and death.  I prefer to fall back on what census takers recorded first hand at the time.

There is a lot of understandable confusion over when Charlie Poole’s  mother may have died, stemming largely from the fact that his father John Philip Poole supposedly married two sisters with very similar names.

John Phillip Poole and wife appear in both the 1900 census of Randolph County and the 1910 census of Alamance as just “John Poole” and spouse “Bettie.” Ancestry.com entries list his birth year as 1853, but the 1900 census says he was born in March 1850 in NC, and his father was born in NC.

John Poole’s occupation in 1900 is listed as “Cotton Mill Spinner;” in 1910 it is listed as “Cotton Mill Lapper.”  [The Lapper Room was part of the process of opening bales of cotton and making flat sheets or laps of cotton which would then be sent to the Carding Room.  From the Carding Room, roving bobbins would go to the Spinning Room.]  Both censuses says that John Poole cannot read or write, and is a renter of a house (not a farm) in each place.  Franklinville Township included the mill villages of Franklinsville, Island Ford, Cedar Falls, Central Falls and Worthville, all within a 9-mile stretch of Deep River.

1900 Census Randolph (Fville)

Poole 1900 census

 

Bettie Poole is listed in both censuses as a house keeper.  The 1900 census says she is the mother of 9 children, 8 of whom are living.  The 1910 census says she is the mother of 13 children, 8 of whom are living.  The 1910 census says that only she and her son “Ralf” can read and write.  In the 1900 census, only son Lea had attended school that year.

The following children of John and Bettie Poole are listed in 1900 (birth dates from census; death dates from ancestry.com)

Sarah E (b Oct 1878) d 1933 (occupation 1900, “Cotton Mill Spinner”)

Leroy (Lea) R (Jan 1884- 1957)  (1900- “Cotton Mill Spinner”)

Ralph (Aug 1889-  )  (1900- “Cotton Mill Spinner”)

Charlie C (March 1891) (different birth year from most listings) (no occupation)

James (Feb 1894)  (no occupation)

Giles (Jiley) M. (Aug 1896)  (no occupation)

Henry M (Aug 1897)  (no occupation)

In the 1910 Census the family has moved from Franklinville TS in Randolph County to Faucette TS in Alamance County [The Haw River mill village is partially in Faucette TS and partly in Haw River TS.  The villages of Glencoe and Hopedale are also in Faucette TS].  Sarah is no longer listed in the family, and Lea lives in a neighboring house with his wife Julia, age 21, whom he married in 1906.  They have a daughter Mary E., age 2.  Lea’s occupation is listed as “Cotton Mill Spinner” in 1900 and “Cotton Mill Slubber” in 1910.  [A Slubber was one of 3 different roving frames used in the Carding Room preparing cotton for spinning].

In 1901 Ralph’s occupation has changed to “Carder,” so he worked in the Card Room with Lea.  “Charley”’s occupation in 1910 is  “Cotton Mill Oiler.”  This was necessary to keep the machinery in good operating condition, and there may have been oilers in each separate “Room,” or they may have been sent where ever they were needed.  In 1910, James, “Jiley” and Henry all worked as “Cotton Mill Doffers.”  Charlie’s job as an oiler could be seen as a step up from doffer, but didn’t require particular speed or skill, as a doffer might.

In 1910 the Pooles obviously live in an Alamance County mill village, as they are surrounded by mill occupations.  In 1900 one neighbor, Anderson Diffee, is a “Cotton Mill Bailer” [i.e., employed in the Cloth Room, baling cloth for shipping].  The next neighbor, Jessie Bonkemeyer, is a farmer.  On the pages before and after the Poole entry, there are 5 weavers and  two spinners listed in 4 families among numerous farmers.

1910 Census Alamance

Poole 1910 Census Alamance

The Johnsons.

Sorting out the Johnson family is not so straight-forward, but I think I have put something together from assorted ancestry.com records and census records.

Hiram Johnson, age 55, is listed as a Miller in the 1870 census of Surry Co, NC (Mt. Airy vicinity).  His wife is Lydia Shields, age 54, born in Moore County, NC, near Carthage.  The 1870 census lists their children as follows:

Elizabeth, age 24, “House Keeper” [born circa 1846]

Lydia, age 23, “At home”

Elizabeth, age 15, “At home”  [born circa 1855)

Hiram, age 15, “At school”

Cindee, age 10, “at home”

Louisa, age 4, “At home”

The Charlie Poole listings on ancestry.com list what may be the two Elizabeths as-

“Betsy Ann, 1850-1896)” and

“Bettie Ellen, 1850-1911”

Obviously these dates don’t fit, but the nicknames might.

Ancestry.com lists the father of Hiram Johnson as Ransom Johnson, c1790-1852

Ransom is listed as having two children with Susan (unk. Last name)-

Hiram,

Acquilla (3-3-1813 in Alamance County -1869)

Acquilla Johnsonmarried Philipena Cornelia Moser (1815-1910) in Alamance County.

They had at least seven children (one of which, another Elizabeth ‘Betsy’ Johnson, married Samson Bunting in 1861 and died in 1876, so thankfully doesn’t muddy the already murky Bettie/Betsy Johnson waters).

One of their daughters, Nancy Lou Johnson, apparently had 4 children, at least 3 of whom are listed as “unknown father.”

Dora E. Johnson (1864-1958, father David Breedlove)

William Arthur Johnson, 1883-1948 (he later had 13 children of his own)

Napoleon P. Lusien Johnson (1870-1955), who married twice and may still have living children)

Daner Gordon Johnson, 1879-1955.

082309_0416_CharliePool9.jpg

So, Daner Johnson’s paternal grandfather Acquilla Johnson and Charlie Poole’s maternal grandfather Hiram Johnson were brothers.

That means their parents (Bettie Johnson, whichever one, and Nancy Lou Johnson) were first cousins, and Daner and Charlie were second cousins. (Not first cousins, as I said in my original blog post)

Here is what I have found specifically regarding Daner in the public records:

In 1870 census takers found Nancy Johnson, a “seamstress” aged 30, living in the home of her sister Harriet Johnson, age 34.  Her daughter Dora E., 6 and Thomas, age 2, were “at home.”  The Johnson sisters lived next door to Anthony Moser, age 46, a farmer with 7 children, who was also their uncle, brother of their mother Philapena.

In the 1880 Census Nancy Johnson, aged 41, is listed as a single head of household living in “Randleman Mills” NC.  Her daughter Dora E., age 16, is employed in a cotton mill.  Nancy has sons Napoleon P., aged 9; William A., aged 4, and Danie G., 8 months.

The 1900 census shows 62-year-old Nancy as the head of her household, a farm in Cedar Grove township of Randolph County.  She owned the land subject to a mortgage, and had 15 animals.  Her son Napoleon L. Johnson, 29 and single, farmed the land.  Her son Dannier G. Johnson, single, had “no occupation.”  Daner and his mother could not read or write, though Napoleon (known as “Nep,”) could.

In 1910 Napoleon, 39, is married to Jennie, 34, and they have a daughter Lora, 6 months old.  Jennie Trotter is listed in genealogy indexes as dying in 1915.

The 1910 census found Daner Johnson living in Siler City, NC, boarding in the home of John J. Foster, age 54.  Johnson, aged 29, is living there with his wife Lilian, age 18.  They have been married one year.  Daner’s occupation is listed as “self-employed automobile mechanic,” and he had been out of work for 8 weeks in the previous year.  According to the census, he can read and write.

In 1920, Napoleon, 49, is single and Minnie Underwood, 32, is living in his house with daughter lora, 10, and James Johnson, age 8.  Minnie (1887-1965) at some point married Napoleon and they are both buried in the Holiness Church cemetery in Randleman.  Their daughter Lora or “Loray” never married and was still living with them at the time of the 1940 census.  Loray Johnson was the informant providing information for the death certificates of both her father and her uncle Daner in 1955.

082309_0416_CharliePool10.jpg

Daner and his mother Nancy are both buried in the Melanchthon Lutheran cemetery west of Liberty in Randolph County.

 

Mac Whatley, 7-15-14

Notes on A Confederate Christmas

December 8, 2010

“Santa Claus in Camp, 1864” by Thomas Nast in Harper’s Weekly.

Introductory Note:
“Mrs. James Lafayette Winningham…”
On 24 May 1876 Nancy Hannah Steed married James Lafayette Winningham (ca. 1853- 1930), the son of Siebert Francis Marion Winningham and Laura Ann Lyndon.  Winningham was born at Union Factory, now Randleman, North Carolina.  [Internet geneaological research on the Winningham and Steed families was largely posted by Donald Winningham.]

“…was the daughter of John Stanley Steed and Rachel Director Swaim.”
John Stanley Steed (22 Feb 1829 – 3 May 1899) was the son of Charles Steed (15 May 1782- March 1847), who served Randolph County both as a member of the North Carolina Senate and as a member of the North Carolina House of Representatives.  His mother Hannah Raines (born circa 1788- died after 1850) married Charles Steed on 25 Jan 1806.  John Stanley Steed married Rachel Director Swaim (15 Nov 1835 – 27 Nov 1880) about the year 1852.

Paragraph 1:
“As I was born in 1857…”
Nancy “Nannie” Hannah Steed was born 14 June 1857.

“My mother always took the children home to her father’s for the holidays”
Rachel Steed’s parents were Joshua Swaim (1804-1868) and Nancy H. Polk (1808 – 14 April 1865), who married in Guilford County on 1 September 1824, but lived in the Cedar Falls area (the area west of Franklinville, south of Grays Chapel, and east of Millboro).  The Christmas of 1864 may have stuck in Nannie Steed’s memory because it was the last she would have with her maternal grandmother Nancy Polk Swaim.

Maternal grandfather Joshua Swaim was the son of William Swaim and Elizabeth Sherwood, and nephew of the Clerk of Court Moses Swaim (1788-1870).   Joshua and Nancy Swaim were buried in the old Timber Ridge cemetery near Level Cross.  Here is a link to photographs of their tombstones: http://freepages.genealogy.rootsweb.ancestry.com/~davidswaim/TimberRidge.htm

“In their home were our three young aunts and a young uncle, all full of life and fun, and about ten grandchildren.”
Nancy and Joshua Swaim of Cedar Falls had the following children, several of whom had moved West before the time of the Civil War.  Numbers 7 through 10 are Nannie’s “young aunts and uncle”:
1.  James Polk Swaim (November 21, 1825 – February 04, 1890); m. Sarah McDonald about 1848; died in  Franklin County, Ark.
2.  Elizabeth Swaim (September 30, 1827-  June 28, 1846).
3.  Margaret J. Swaim, b. March 22, 1829- February 29, 1848.
4.  Mary Swaim (b. ca. 1831); md. Mr. Glass before 1854.
5.  William Walter Swaim (February 10, 1833 – died October 17, 1905 in Eldora, Hardin County, Iowa); m. Mary Ann Davis, ca. 1859, in Hamilton Co., Indiana.
6.  Rachel Director Swaim, (November 15, 1835 – May 27, 1880); m. John Stanley Steed on October 07, 1852.  [Nannie’s Grandma Swaim]
7.  Luther Clegg Swaim (b. ca. 1837, d. ca. 1868) [Nannie’s Uncle “Luther Clegg”]
8. Susannah Swaim (b. ca. 1840); m. J.L. Coble, September 04, 1862.
9. Hannah Swaim (b. ca. 1841); m. Henry C. Green, October 06, 1864.
10. Martha Swaim (b. ca. 1847).

{The family information is Included in the Polk family genealogy, posted by Kathy Parmenter at http://archiver.rootsweb.ancestry.com/th/read/POLK/1999-07/0931116431 }.

“Of us there were my three brothers and myself.”
As of this time in the story, John and Rachel Steed had the following children:  Emily, born 1853, who died in infancy; Wiley Franklin, born 1855; Nancy Hannah, born 1857; Henry Luther, born 1860; Joshua Nathaniel, b. 1862.

Paragraph 2:
“The young people had wheat or potato coffee…”
Imports of coffee and other delicacies were reduced almost to the point of nonexistence by the federal blockade of southern ports.  According to Wikipedia (http://en.wikipedia.org/wiki/Coffee_substitute ), Roasted acorns, almonds, barley, beechnuts, beetroots, carrots, chicory, corn, cottonseed, dandelion root, figs, okra seed, peas, Irish potatoes (but only the peel), rice, rye, soybeans, and sweet potatoes have all been used as coffee substitutes.  Roasted and ground wheat as a non-caffeinated substitute for coffee was popular again in the United States during both World War I and II, when coffee was sharply rationed.   “Postum”  was the brand name of an instant-style coffee substitute made from wheat bran, corn and molasses which was popular in North Carolina in the 20th century, but production was discontinued in October, 2007.

Paragraph 3:
“In our stockings were…ginger cakes…”
Ginger is a tropical root imported from Africa, Jamaica, India or China.  It was a much-loved spice during the Civil War era; ginger beer, ginger ale, and all sorts of ginger cakes and breads were popular.  Some recipes could be rolled out, cut into shapes and hung on the tree; some were soft like bread and others were hard and crisp.  The following recipe from a Civil War reenactor group makes crisp, sugar- coated cookies suitable for putting in a stocking:

3/4 cups shortening

1 cup sugar

1 beaten egg

1/4 cup molasses

2 tsp. soda

1 tsp. cinnamon

1 tsp. ginger

2 cups flour

Combine shortening and sugar into a cream; add the egg and molasses and mix well. Sift together the dry ingredients and add to the shortening mixture. Mix until combined. Roll into walnut sized balls and roll in sugar. Bake at 350 degrees for 7 – 10 minutes.

Paragraph 4:
“…my aunties started the eggnog…”
Various milk punches were known in Europe and brought to America, so the exact orgin of Egg Nog is obscure.  “Nog” is an old English word with roots in East Anglia dialects that was used to describe a kind of strong beer which was served in a small wooden mug called a “noggin”.   “Egg nog” is first mentioned in the early nineteenth century but an alternative British name was “egg flip,” a punch made with milk and wine, particularly Spanish Sherry.
Internet sites repeatedly cite an unnamed and unsourced English visitor who wrote in 1866, “Christmas is not properly observed unless you brew egg nogg for all comers; everybody calls on everybody else; and each call is celebrated by a solemn egg-nogging…It is made cold and is drunk cold and is to be commended.”
The English author Elizabeth Leslie regularly published cookbooks on both sides of the Atlantic from 1837 to 1857.  Her Directions for Cookery, published in 1840, introduced the concept of the “sandwich” to America.  This recipe for Egg Nogg comes from the edition of 1851:
“Beat separately the yolks and whites of 6 eggs. Stir the yolks into a quart of rich milk, or thin cream, add half a pound of sugar. Then mix in half a pint of rum or brandy. Flavor with a grated nutmeg. Lastly, stir in gently the beaten whites of three eggs. It should be mixed in a china bowl.”

Perhaps the last word on Confederate egg nog would be the recipe of Mary Custis (Mrs. Robert E.) Lee herself::

-10 eggs, separated

-2 c. sugar

-2 1/2 c. brandy

1/2 c. and 1 tsp. dark rum

-8 c. milk or cream

Blend well the yolks of ten eggs, add 1 lb. of sugar; stir in slowly two tumblers of French brandy, 1/2 tumbler of rum, add 2 qts new milk, & lastly the egg whites beaten light (very fluffy).  Allow to “ripen” in a cold but not freezing place; an unheated room or porch was the common location for Mrs. Lee.

From The Robert E. Lee Family Cooking and Housekeeping Book (UNC Press, 2002), by Anne Carter Zimmer.

Paragraph 5:
“…expressed in those days as ‘Christmas Gift’…”
The phrase “Merry Christmas” was popularized around the world following the appearance of the Charles Dickens’ story, A Christmas Carol in 1843.  Robertson Cochrane, Wordplay: origins, meanings, and usage of the English language, p.126. (University of Toronto Press, 1996).  “Christmas Gift!”  is an earlier Southern tradition, used as a greeting.   The first person saying it on Christmas morning traditionally received a gift.  See “Whistlin’ Dixie: A Dictionary of Southern Expressions” by Robert Hendrickson (Pocket Books, New York, 1993).

Paragraph 6:
“Which is it, the old bad man or the Yankees?”
She is using a euphemism for “the Devil,” a word considered to be so much a curse word at the time that a well-bred young lady was not allowed to use such language.  The Devil was on the side of the Yankees, just as God was supposed to be on the side of the Confederacy.

“Little Christmas Waifs Are We”- 19th century Christmas Card

“…the old English custom of the waifs of England.”
It is unclear whether Nannie has here conflated two distinct Christmas rituals from medieval England, or whether the traditions had previously merged in the antebellum South.
The surviving English tradition is of the Christmas “Waits,” musicians and singers who go from door to door “waiting,” or caroling.  According to the 11th edition of the Encyclopedia Brittanica, “wait” is the name of a medieval night watchman, who sounded a horn or played tunes to mark the hours.  By the 15th century waits had become bands of itinerant musicians who paraded the streets at night at Christmas time, and became combined with another ancient tradition, “wassailing”.  It gradually became expected that the musicians would receive gifts and gratuities from the townspeople, and often “those who went wassailing would dress up like street waifs or ragamuffins.”  http://www.cafepress.com/+christmas_waifs_sticker,320599343
One other British custom of the Christmas season was specifically aimed at soliciting alms.  “Thomasing” anciently occured on 21 December (St Thomas’s Day) when the village poor people visited the homes of their better-off neighbours soliciting food and provisions to help them through the winter. Also called “Gooding,” “Mumping,” and “Doleing,” the earliest reference is from the year 1560, but the custom gradually declined through the 19th century as poor relief was institutionalized, and laws were passed against ‘begging’.
In the South this tradition may have inspired a tradition of inviting local orphans or “waifs” to spend Christmas afternoon with rural families or in urban church socials. [books.google.com/books?isbn=0253219558 ]  In 1864 the “ crowning amusement” of Christmas day for the Davis children in Richmond was “the children’s tree,” erected in the basement of St. Paul’s Church, decorated with strung popcorn, and hung with small gifts for orphans.   (First Lady Varina Davis’s 1896 article “Christmas in the Confederate White House” makes an  interesting contrast to Nannie Steed Winningham’s story of Christmas in rural Randolph County;
http://www.civilwar.org/education/history/on-the-homefront/culture/christmas.html ).

The First Confederate States Flag

Paragraph 7:
“ The Bonnie Blue Flag”
-is a marching song associated with the Confederacy.   The song was written to an Irish melody by entertainer Harry McCarthy during a concert in Jackson, Mississippi, in the spring of 1861 and first published that same year in New Orleans.  The song’s title refers to the unofficial first flag of the Confederate States, the symbol of secession from the Union bearing the “single star” of the chorus.   The “Band of Brothers” mentioned in the first line of the song is a reference to the St. Crispin’s day speech in Shakespeare’s play Henry V.
[http://en.wikipedia.org/wiki/The_Bonnie_Blue_Flag]
Here is the song:  http://www.gutenberg.org/files/21566/21566-h/music/bonnie.midi

“The Girl I left behind me”
-is a popular folk tune.  The first known printed text appeared in an Irish song collection in 1791; the earliest known version of the melody was printed in Dublin about 1810.   It was known in Britain as early as 1650, under the name “Brighton Camp”.  It was adopted by the US regular army as a marching tune during the War of 1812 after they heard a British prisoner singing it.
http://en.wikipedia.org/wiki/The_Girl_I_Left_Behind
The song can be heard here:  http://www.contemplator.com/england/girl.html

“Hurrah for the Southern Rights, Hurrah! Hurrah!”
-Hurrah! Hurrah!/ For Southern rights, hurrah!” is actually the first two lines of the chorus of  “The Bonnie Blue Flag.”  ‘Hurrah! Hurrah! For the Southern Rights, hurrah!’ is an alternative reading of the line that is only found in Gone With The Wind, page 236.  Both undoubtedly reflect the way singers at the time added ‘the’ to mirror the same article in ‘the’ Bonnie Blue Flag.

“Hurrah! for the Homespun Dress the Southern Ladies Wear”
-”The Homespun Dress,” also known as “The Southern Girl,” or “The Southern Girl’s Song,” is a parody of The Bonnie Blue Flag that oral historians have found in variant versions all over the South.  Most authorities attribute the words to Miss Carrie Belle Sinclair of Augusta, Georgia.  See Songs of the Civil War, by Irwin Silber, Jerry Silverman; Dover, 1995, p.54.  The lyrics can be found at http://www.lizlyle.lofgrens.org/RmOlSngs/RTOS-HomespunDress.htmlv

Oh, yes, I am a Southern girl,

And glory in the name,

And boast it with far greater pride

Than glittering wealth and fame.

We envy not the Northern girl

Her robes of beauty rare,

Though diamonds grace her snowy neck

And pearls bedeck her hair.

CHORUS: Hurrah! Hurrah!

For the sunny South so dear;

Three cheers for the homespun dress

The Southern ladies wear!

Paragraph 8:
“…Mars Luther Clegg had drinked too much eggnog.”
“Mars,” short-hand for “Master,” was used by enslaved people as a general title of respect, in the same way that white people would use “Mister.”
Luther Clegg Swaim was born in Cedar Falls in 1837.  On February 1, 1866 he married Dorcas Aretta Odell (1828-1918), daughter of James Odell and wife Anna Trogdon.  This was the second marriage for Dorcas Odell, the sister of J.M. Odell and J.A. Odell who worked for George Makepeace in the factory stores at Cedar Falls and Franklinsville.  John M. Odell was the first Captain of the Randolph Hornets, Company M.  Her brother Laban Odell became Major of the 22nd Regiment, and was killed at Chancellorsville.  Her first husband was her second cousin, Solomon Franklin Trogdon, who died in 1860.  She had two sons in the first marriage, and a daughter with Luther Clegg Swaim before he died in 1868.  Dorcas’s son Williard Franklin Trogdon became the original geneaologist of the Trogdon family, publishing the family history which provided this information in 1926.

Paragraph 9:
“My father and my uncle owned and operated a large tannery, shoe and harness shop.”
The J. S. Steed family is the very first one listed in the Western Division of Randolph County’s 1860 census; his occupation is listed as “Tanning,”  and a 17-year-old boarder living with them is listed as “Apprentice Tanner.”  Family #2 in that census is David Porter, a buggy manufacturer and grandfather of author William Sidney Porter.  I believe the Porters lived on the southeast corner of the intersection of Salisbury Street and the Plank Road (Fayetteville Street)- where First Bank is today.

The 1860 Census  of Manufacturing for Randolph County lists “J.W. & J.S. Steed” as engaged in “Tanning… Boot and Shoe Making…[and] Harness Making.”  6 employees in 1859 cured “1400 sides of harness, sole and upper leather” worth $2000; made 40 pair of boots worth $300; 250 pair of shoes worth $500; and 50 setts of harness worth $900.

The Steeds probably lived on Salisbury between Cox and the Plank Road, but the location of his tannery is unclear.  The only tannery I am aware of that was ever located in or around Asheboro itself is the one located on the site of the present-day Frazier Park, across Park Street from Loflin Elementary School.  The branch that heads in a spring (now piped underground) on that site is called Tan Yard Branch.

“My uncle” probably refers to the “J.W. Steed” listed on the Census of Manufacturing; this was Joseph Warren Steed, born ca. 1806, and little else is known about him.   It could also refer to John Stanley Steed’s brother Nathaniel Steed (3 May 1812 -10 Nov 1880).  In 1832 Nathaniel married Sarah (“Sallie”) Redding (9 Oct. 1811 -10 Aug. 1852), daughter of John Redding and Martha Jane Swaim.  They are buried at Charlotte Church, on Old Lexington Road west of Asheboro.

“Early in 1864 my father… was drafted and sent to eastern Carolina, where he was in the service..”
[Some of you Civil War experts, trace his service record, please.]

Paragraph 10:
“…our faithful family physician, who on account of advancing years bad about given up his practice until the war began…”
Could this have been Dr. John Milton Worth, (28 June 1811 -5 April 1900), who studied at the Medical College in Lexington, Kentucky and practiced in Asheboro up to the time of the war?  A substantial part of Dr. Worth’s war years were spent overseeing the Salt Works near Fort Fisher, so this may be some other faithful family physician.

“On the morning of the 10th we were told we had a little brother named for his daddy…”
John Stanley Steed, Jr., born December 1864.  The Steeds would have five more children over the next 15 years.  Rachel Steed evidently died during childbirth in 1880.

A view of antebellum New Bern from the Neuse River

Paragraph 12:
“There was a man in our town called Captain Pragg, who owned a dry goods store…”
The name “Pragg” is not found in the Randolph County census records for 1860 or 1870, but “Isaiah Prag” does appear in Randolph County marriage bond records for April 19, 1865, when he married “Mrs. Jane Sugg.”  This was apparently the second marriage for each of them, as according to family genealogical records “Mrs. Sugg”‘s maiden name was Jane Adaline Andrews (1841-1907).  She may have a family connection to Lt. Col. Hezekiah L. Andrews of western Randolph, who was killed at Gettysburg.
Isaiah  Prag was born 20 October 1824 in the town of Hadamar in the state of Hesse, Germany.  He first appears in America in the 1850 census of Annapolis, Maryland, with wife Rose Adler (1827-1864), and a new baby, Mary.  Prag would ultimately have 8 children by his first wife, and 7 by his second.  By 1860 Isaiah and family have relocated to New Bern, NC, where he is in business as a “merchant.”   From June 1, 1861 to February 10, 1862, the state Quartermaster’s office paid receipts totalling $13,113.20 for purchases from Isaiah Prag.  He evidently provided most of the “dry goods” or clothing needed to equip at least two companies of Craven County volunteer troops: Company F and Company K (The Elm City Rifles):  98 suit coats and pants; 74 flannel shirts and 199 striped shirts; 218 caps, 141 pairs of “drawers” and 160 pairs of “pantaloons;” not to mention 556 overcoats- enough for 5 companies!
Isaiah Prag is also listed as an “Ordinance Sergeant” in Company B of Clark’s Special Battalion of the North Carolina Militia, but further details of his military service are not yet known.
Prag’s initial connection to Randolph County is also unclear.  It is possible that he was involved with the local factories in the production of underwear under contract to the Quartermaster.  His work supplying the army may have forced him to leave New Bern after its capture by federal forces on March 14, 1862.  It doesn’t seem likely that Prag would have been allowed to frequently cross enemy lines if his family remained in New Bern, but  Rose Adler Prag is said to have died in New Bern on July 20, 1864.
The 1870 census finds Isaiah and Jane Prag in Calvert County, Maryland.  The 1879-80 city directory of Baltimore (p. 625) lists 6 separate families of Prags, with Isaiah listed as selling furniture.  The 1880 census finds him settled in Cambridge, Maryland, the seat of Dorchester County on the eastern shore of the Chesapeake Bay.  This is where family records place him at the time of his death, April 18, 1889.
It appears that Isaiah and Rose Adler Prag were Jewish, and may have been one of the first Jewish families to reside in Randolph County.  That may be why Isaiah gave the Steed family as valuable a gift as the ham would have been in 1864- religious dietary laws would have prevented him from eating it.
[Sources:  US Census records for the years cited; Randolph County Marriage Bonds; Miscellaneous Records of the North Carolina Quartermaster’s dealings with Isaiah Prag or Pragg, preserved in the National Archives at Confederate Papers Relating to Citizens or Business Firms, 1861-65 ; the Park Service online list of Civil War Soldiers and Sailors System, at http://www.itd.nps.gov/cwss/>; Prag family geneaology records on Ancestry.com at http://trees.ancestry.com/pt/person.aspx?pid=1078239925&tid=16758860&ssrc= .]

Paragraph 13:
“My present was a balmoral (petticoat) which she had carded, spun and woven herself…”
A Balmoral was a long woollen petticoat which was popularized by Queen Victoria at Balmoral Castle in Scotland.  Usually of striped fabric, it was worn immediately beneath the dress so that it showed below the skirt.

The woman wearing a Balmoral in this “carte de visite” is Rachel Bodley (1831-1888), the first female chemistry professor at Philadelphia’s Women’s Medical College from 1865 to 1873.

Paragraph 14:
“…a bowl of mush or … plate of thick corn pones.”
Corn Meal Mush was made two different ways, and it appears that Mr. Winningham liked both of them.  The first was prepared in rolls like sausage or in loaf pans like modern liver pudding.  The cook would cut it in slices, dredge in egg yolk, dust in flour, fry and serve with butter, molasses, syrup or powdered sugar.  The second method was to boil the corn meal in a saucepan just as if preparing raw oatmeal or grits.  It was then served hot in a bowl topped with milk, sugar, fruit, raisins, nuts or ice cream.
“Corn Pone” is corn bread made without milk or eggs, and either baked in hot coals (as described by Nannie Winningham) or fried.

Modern Corn Pone Recipe (makes 4 servings):

Ingredients:  3 cups cornmeal; 3 teaspoons salt; 2-3 cups water; 3 tablespoons lard

Directions:  Bring water to a boil in a medium sauce pan. Add cornmeal and salt and immediately remove from stove. Mix well.  Melt half of lard in a baking pan to coat. Stir remaining lard into corn meal mixture. Pour mixture into baking pan.  Bake at 350 degrees for about 50 minutes, or until golden brown.

American Banjo Museum

September 21, 2009

This certainly isn’t in Randolph County, but it fits well with the previous two posts.

While the good people in Rockingham County may be working hard on the “National Banjo Center,” the citizens of Oklahoma City already have the American Banjo Museum. It moved last week from a temporary home in Guthrie, OK, to a 21,000-square foot, $5 million home in Oklahoma City’s “Bricktown” historic district.


The museum collection includes more than 300 instruments, from primitive African gourd contraptions to the banjos of modern Bluegrass legends. It also includes the “National Four-String Banjo Hall of Fame.”

Here’s a link to a newspaper article on the opening from September 11th: http://www.newsok.com/article/3400062 .

And another: http://www.examiner.com/x-3814-Oklahoma-City-Day-Trips-Examiner~y2009m9d9-Grand-opening-of-the-American-Banjo-Museum-in-Oklahoma-City-Bricktown-September-11 .

And here’s a direct link to the TV news report http://feeds.newsok.tv/services/player/bcpid4659235001?bctid=38885403001 .

Maybe some day Randolph County will get its due mention one place or another.

Manly Reece

September 15, 2009

Manly Reece, circa 1855.

In my entry on Charlie Poole I mentioned the Charlie Poole Festival, which is held each year in Eden, NC, the combined town in Rockingham County formerly known as Leaksville, Draper and Spray. Charlie Poole lived and worked in Spray in the second half of his life, and now there is an effort to create the “National Banjo Center” on the Dan River there. The banjo museum would highlight Poole’s contributions to American musical history at or near the Spray Cotton Mill site, “ground zero” or “hallowed ground, as far as the music world is concerned,” said one of the promoters. (see March 26, 2009 article at http://www2.godanriver.com/gdr/news/local/rockingham_news/article/eden_strums_closer_to_housing_national_banjo_museum/9995/ ).

Not to take anything away from Charlie Poole or the economic development activities of Rockingham County, but southern banjo history- even North Carolina banjo history- has a much wider sweep and deeper pull than is found just along the Dan River. Here locally, Charlie Poole’s teacher and mentor Daner Johnson (mentioned in the previous article) not only taught Charlie but a generation of other local banjo pickers. No recordings of Johnson are known, but his Randolph County pupils Kelly Sears and and Glenn Davis are both featured on “The North Carolina Banjo Collection,” musician/ folklorist Bob Carlin’s excellent 1998 Rounder double-album which demonstrates the evolution of banjo-picking through 20th-century recording history.

However, the history of the banjo didn’t start with Charlie Poole or Daner Johnson. The roots of the instrument are agreed to be found in Africa and the transplanted traditions of African-American enslaved people in the antebellum American South. Less certain is how the instrument made its way into white southern culture. Joel Sweeny (1810-1860) of Appomattox County, Virginia, is the earliest documented white banjo player, and popularized the instrument in New York with his group of blackface minstrels at least by April 1839 (see http://en.wikipedia.org/wiki/Joel_Sweeney ).

Sweeny’s tour of England, Ireland and Scotland in 1843-44 is credited with introducing the banjo to Europe. (Bob Carlin recently wrote a book about Joel Sweeney, too- http://www.minstrelbanjo.com/SWEENEYindex.html ).

But in Randolph County, the roots of the banjo can be traced to Manly Reece (1830-1864), a native of the area between Franklinville and Liberty. For almost everything I know about Manly Reece I must give credit up front to Andy Cahan, musician, historian, antiquarian bookseller and former Chapel Hill resident.  Andy came South from New York where he had been a featured artist (along with Bob Carlin) on the influential Kicking Mule album “Melodic Clawhammer Banjo” (http://www.amazon.com/Melodic-Clawhammer-Sapoznick-Carlin-Perlman/dp/B001HGPTNY ). As a young music historian and grad student Andy conducted oral history interviews around Galax in the 1980s on Manly Reece that led him directly back to Randolph County. His research paper “Adam Manly Reece: An Early Banjo Player of Grayson County, Virginia” was written for a class at UNC in 1987, and I am much obliged to Andy for sharing the paper and accompanying photographs with me. [It is one of the most valuable works of Randolph County and southern banjo history that has never been officially published, and I hope that is remedied soon!]

Banjo built by Manly Reece ca. 1848.

Through born in Randolph County, Manly Reece introduced the banjo to the Galax, Virginia area. His father George Reece, a blacksmith, was one of the twelve children of William Reece and Elizabeth Lane, who are buried in the Sandy Creek Baptist Church cemetery (see the church’s prior entry). George’s sister Agnes was the second wife of Elisha Coffin, underground railroad conductor, builder of my house and the 1838 cotton mill in Franklinville (see his prior entry), making her the aunt and Elisha the step-uncle of Manly (all history is genealogy!).

Detail of Manly Reece banjo- the back of the neck.

George Reece is remembered by his descendants to have played the fiddle, and Manly is said to have learned to play the banjo while just a boy. Manly’s own banjo, which is still in the possession of family members, is said to have been built by him before the family moved to Virginia between 1846 and 1848. Once settled in Galax, Manly played with the legendary fiddler Greenberry Leonard (1810-1892), who trained Emmet Lundy, one of the earliest recorded fiddlers in the area.  Manly’s banjo originally had 4 strings, but before he went into the army he’d converted it to 5 strings.  The family remembers that Manly played first in the clawhammer style, and later learned to fingerpick.  He could play many Stephen Foster songs, so Andy theorizes that Manly could have learned from a passing minstrel show (though I’ve found no references to those playing the Randolph County area).  Andy believes that Manly introduced the banjo to the Galax area, partly based on letters written to Manly after he went into service with the Confederate Army, where women write that they miss him and haven’t heard the banjo played since he left. His banjo was returned to his family after Manly was killed in March, 1864, while riding on top of a troop train in the Petersburg area.

Julia Reece Green and unknown fiddle player (original from Kahle Brewer)

Manly’s sister Julia Reece Green (1842-1911) learned to play the banjo from Manly, and passed the skill to her grandson Kahle Brewer. Kahle Brewer was a well-known old-time musician in Galax of the 1970s and 80s, and became a mentor to Andy Cahan and other expatriate students of southern musicology.

L-R: Allen Hart (banjo); Wayne Martin (fiddle); Kahle Brewer (fiddle); Alice Gerard (guitar); at Brewer house in Galax, VA, August 1988.

[From Kerry Blech website, http://home.comcast.net/~blechfam/gallery3.html .]

Andy Cahan’s initial research is still the last academic look into the antebellum roots of Randolph County music.  We’re missing fifty years or more from the story of 19th century music in the county, and perhaps some day that link can be uncovered. Between the time the Reeces moved to Galax in 1848 and the time a young Daner Johnson began to play circa 1890, at least a generation or two of musicians passed their banjo knowledge along. Whoever that was-–Daner Johnson’s teacher and mentor– is currently unknown. But Manly Reece, Daner Johnson and Charlie Poole were all born in northeastern Randolph, within a 5-mile radius of each other, so it is obvious that “ground zero” for the Johnson-Poole banjo tradition rightfully can be located somewhere just north of Franklinville, in Randolph County.

Charlie Poole

August 23, 2009

[Charlie Poole- in his early twenties.]

The last week has seen a flurry of news and reviews that concern the man who may be Randolph County’s most famous native musician. All the publicity arises over the release of Loudon Wainwright III’s excellent new album, “High Wide and Handsome: The Charlie Poole Project.”

I first read the story in the Washington Post [Charting the Deep Waters of Old-Timer Charlie Poole], and then heard a really great interview with the singer by Terry Gross on NPR’s Fresh Air [http://www.npr.org/templates/story/story.php?storyId=13 ].

Courtesy of my friend Tom Hanchett, music historian and a curator at the Levine Museum of the New South in Charlotte, here are a couple of more story links: Rogue State: High Wide & Handsome: The Charlie Poole Project and I [from the Washington City Paper]; Loudon Wainwright III leads salute to bluegrass legend Charlie Poole [New York Daily News]; Loudon Wainwright dives into country music’s past [The Tennessean ].

But this story is new only in that Loudon Wainwright’s double-CD album is new. Back in 2005 the excellent 4-disc box set “You Ain’t Talkin’ to Me: Charlie Poole and the Roots of Country Music” (Legacy/Columbia Records) was produced by old-time banjo player Henry “Hank” Sapoznik, and Charlie Poole was the subject of symposium at UNC-Chapel Hill. He is also remembered annually at the Charlie Poole Music Festival in Eden (www.charlie-poole.com), so it appears that we’re in the midst of a full-blown Poole revival.

On September 28, 1985, the first (and only) Mill Village Music Festival was held in Franklinville, as part of the Franklinville Fire Protection Association’s annual “Fun Day.” (That was something volunteer fire departments used to do before tax support meant they didn’t need to raise money the hard way anymore). Local musician Gary Lewis produced the show, which had a number of bluegrass and old time musicians playing, including Poole biographer Kinney Rorrer’s group the Sweet Sunny South String Band. (Rorrer’s 1982 book Rambling Blues: The Life and Songs of Charlie Poole is the definitive biography.)

[Bob Johnson of Millboro showing the Poole house to a Greensboro News and Record photographer in 1984).

The reason I engineered this special event in Franklinville was to call attention to the fact that Charles Cleveland Poole was born March 22, 1892, in Millboro, part of Franklinville Township, in a tiny house still standing on the south side of the road from Millboro to Worthville.   Poole’s Wikipedia entry [ http://en.wikipedia.org/wiki/Charlie_Poole ] is actually incorrect on this point, but his Dictionary of North Carolina Biography entry [ http://docsouth.unc.edu/nc/movingday/bio.html ] gets it right.

With all this awesome documentation available, I won’t run through his whole life story, but I will sum up the significance of Charlie Poole like this:

Charlie Poole (L) and The North Carolina Ramblers.

After Poole and his band “The North Carolina Ramblers” went to New York in 1925 and recorded “Don’t Let Your Deal Go Down Blues” for Columbia Records, American popular music was never the same. At a time when there were no more than 600,000 record players in the south, their recording sold 102,000 copies—five times more than any other record that year. Up until that time, “hillbilly music” had never sold more than 20,000 records, and Poole’s success led the music industry to seek out new performers such as Jimmie Rogers and the Carter Family. Poole didn’t write his own songs, but combined elements of ragtime, blues, Victorian parlor songs, and even the old minstrel music popular before the Civil War, with his own unique three-fingered style of banjo picking.

[The Charlie Poole bithplace in Millboro, Randolph County, 2009.]

Poole is identified with the mill village of Spray in Rockingham County, where his family moved in 1916, but his formative years were without doubt spent in Randolph County. Both his father Philip Poole and mother Betty Johnson Poole had been mill workers at Haw River in Alamance County, and their relocation around 1890 put the family in the center of the Deep River mill villages.  The house is more or less equidistant between the Worthville mill to the west (with the Randleman mills another 2 mills west) and the Cedar Falls mill to the southeast (with the Franklinville mills another 2 miles east).

Millboro had just been created in 1889 when the “Factory Branch” of the Cape Fear and Yadkin Valley Railway had reached that point from Climax.

[The last remaining early store in Millboro]

For several years while construction of the line continued towards Franklinville and Ramseur, Millboro served as the shipping point for all the mills in the area, and a number of stores and boarding houses grew up in the area.

The Halliday hunting lodge in Millboro was a prominent draw for sportsmen, and featured its own shingle-style water tank above the tracks (see entry FT:10 in my book, p. 93).

By all accounts, Charlie Poole was already playing the banjo before 1900.  Poole’s first wife said she once had a photograph of him as a child, playing a banjo made out of a gourd. Only after Poole began work in one of the mills could he buy himself a real banjo for $1.50.

One story has Poole’s distinctive banjo-picking style growing out of a childhood accident where Poole caught a baseball bare-handed, breaking his thumb and permanently deforming his dexterity and grip.

Daner Johnson

But another story, from Homer Johnson and Loray Allred of Randleman, says that their uncle Daner Johnson taught Charlie Poole to play the banjo in Johnson’s own distinctive style.

Daner Johnson and his brother “Nep” (Napoleon P.) Johnson were first cousins to Poole’s mother, and Daner Johnson was 13 years older than Poole. According to Homer Johnson, Daner Johnson told Charlie Poole to “throw away them finger picks—anybody who has to use a pick can’t play a banjo.”

Daner Johnson popularized banjo-picking not just in Randolph County, but all over the region.  It was said that at age 25 Johnson won a gold-plated banjo by beating banjo recording star Fred Van Eps in a competition at the 1904 World’s Fair (officially, the “Louisiana Purchase Exposition”) in St. Louis. (As an aside, the St. Louis World’s Fair created the 20th century American diet: among the foods first popularized at the Fair were hamburgers, hot dogs, the ice cream cone, peanut butter, cotton candy, Dr. Pepper and iced tea!)

Daner Johnson must have been a major influence on Charlie Poole’s ability to play their shared favorite instrument. Johnson and Poole continued to play together as adults, on visits to Poole’s sister’s home in Spray, or Johnson’s brother’s home in Draper.

[Daner Johnson tombstone at Melanchthon Church, Liberty, NC.]

Daner Johnson was almost as much a “rambling man” as Charlie Poole; he never remarried after the death of his second wife Pearl from pneumonia, and wandered from friend to friend, playing music, doing farm work and drinking heavily. He died in 1955 and is buried in the cemetery at Melancthon Lutheran Church near Liberty.

[Addendum:  I’m indebted to a post at banjohangout.org [http://www.banjohangout.org/forum/topic.asp?TOPIC_ID=155578 ] for a reference to Patrick Huber’s book “Linthead Stomp,” which features Charlie Poole’s photo on the cover.  Says Barnes and Noble, “Linthead Stomp celebrates the Piedmont millhand fiddlers, guitarists, and banjo pickers who combined the collective memories of the rural countryside with the upheavals of urban-industrial life to create a distinctive American music that spoke to the changing social realities of the twentieth-century South.”   Huber explores how the culture of industrial work and mill village life contributed to the music of Poole, Fiddlin’ John Carson, the Dixon Brothers, and other pioneers of the mis-named “hillbilly music.”  Finding the roots of old time string bands in mill village culture fits right in with Randolph County’s pioneer contributions to cotton mill village life.]

Addendum:  Reading through the local columns of The Courier, the local Randolph County newspaper, for 11 August 1927, I discovered this note:

“A reunion of the Poole family will be held at Nixon’s Pond, Sandy Creek, on State highway 62, Thursday August 11.  A picnic dinner will be served.  All relatives and friends of the family are urged to attend.  Charlie Poole, of near Leaksville, promises to have his string band at the reunion.  Mr. Poole’s band has recently been playing for records for the Edison Phonograph Company, and have been in New York City for some time on this mission.”

Naomi Wise

June 3, 2009

Tomorrow is my 22nd annual walk and talk on Randolph County history for the Asheboro-Randolph Chamber of Commerce.  The Chamber’s “Leadership Randolph” program was the whole reason I started this blog several years ago, and the reason I developed the Randolph County Chronology and Bibliography that are attached to the blog. In my attempt to get things down in writing that I’ve spoken to the class about for years, I’ve written more here this year than in all the other years combined. Some major topics I have avoided, however, because they really need a modern, in-depth treatment—more than I can usually justify on this site.

Naomi Wise is one of those topics. The nutshell version is that Naomi Wise, an unmarried Randolph County girl, was supposedly drowned by her lover, Jonathan Lewis, in a lover’s quarrel in April 1807. Beyond that, details vary, but over the years the story was set to song, and became very popular. The song is now considered the oldest American murder ballad, and its music is actually the living landmark of the event.

The murder on which the song is based really happened in Randolph County more than two hundred years ago, yet sadly, little physical evidence remains. The tombstone shown above is located in the graveyard at Providence Friends Meeting, on Providence Church Road west of New Salem Road in Providence Township, Although a hundred or more years old, the stone is not original; it moreover bears an inaccurate date of her death. Perhaps that makes it the perfect emblem of the story of Naomi Wise.

I’ve told the story for Leadership Randolph, and lately in the computerized multimedia age I’ve played the 60s Doc Watson version on CD through my Jeep speakers. Here’s the 21st-century equivalent, the embedded YouTube video of the Doc Watson recording-

Doc Watson is just the most contemporary artist who has sung a version of this song. Folkorists such as Bascom Lamar Lunsford and others have collected and recorded other versions, with widely-varying lyrics. As discussed at length in the most recent publication on the subject [NAOMI WISE: Creation, Re-Creation and Continuity in an American Ballad Tradition,” by Eleanor R. Long-Wilgus (Chapel Hill: The Chapel Hill Press, 2003)], the many versions of the ballad occurred as a lost original version was gradually passed down from singer to singer since the actual events occurred.

(a copy of the ballad of Naomi Wise in the handwriting of Miss Laura Worth, on a 1920s voter registration form)

The “standard” version of the ballad is the one attached to the 1851 narrative story by Braxton Craven entitled “Naomi Wise: Or, The Wrongs of a Beautiful Girl.” Craven, the headmaster at that time of the Normal College, soon to be Trinity College and ultimately Duke University, romanticized the story so as to make Naomi Wise an innocent victim and heroine of the story in a fashion that is still familiar with the Lifetime movie channel, Nancy Grace and Greta van Susteren on cable TV. In Craven’s story, the innocent virginal 18-year-old orphan girl was lured to her doom by a dastardly sexual predator who was ultimately caught and punished for his crime. That’s the version perpetuated in the ballad text printed by Craven, and in its numerous reprintings and transfigurations over the years. It’s a version that was probably written to conform with the age-old English song tradition of “Murdered Girl” ballads.

A story I’ll tell you

About Naomi Wise,

How she was deluded

By John Lewis’ lies….

He promised to meet me

At Adams’ springs;

He promised me marriage

And many fine things…

I got up behind him

And straightway did go

To the banks of Deep River,

Where the water did flow…

“No pity, no pity,”

The monster did cry;

“In Deep River’s bottom

your body shall lie.”

The wretch them did choke her,

As we understand,

And threw her in the river,

below the mill dam….

(The Story of Naomi Wise was once considered the signature event of the Randleman area, and for several years high school students acted it out in a spring pageant on the riverside. But the bicentennial of the event in 2007 passed without notice.)

As Eleanor Long-Wilgus discusses briefly in her much longer analysis of the ballad lyrics, the true story is, as usual, much less black and white. A detailed analysis of the history behind the ballad can also be found in “Omie Wise: The Ballad as History,” by Molly Stouten, published in Spring 1997 issue of The Old-Time Herald magazine. Hal Pugh, owner and operator with his wife Eleanor of the New Salem Pottery, are modern Randolph County’s guardians of this story, and have done more research than anyone else I know about Naomi Wise (publish! Publish!) In recent years an early 19th century document has been discovered in the Special Collections of the UCLA Library which is the only contemporary account of the event. Entitled “A true account of Nayomy Wise,” it is a lengthy poem found in a penmanship copybook belonging to Mary Woody and her brother Robert Woody.

“To Such as here [hear] and Wants to Know

A Woman Came Some years ago

Then from a Cuntry named by hide [Hyde County, in eastern NC?]

In Randolph after did reside

And by Some person was defil’d

And So brought forth a bastard Child

She Told her name neomy Wise

Her carnal Conduct Some did despise

It was not long till She’d another

That might be Call’d a basturd’s Brother…”

The actual story appears to be that unmarried Naomi Wise was in 1807 already the mother of Nancy (b. 1799) and Henry Wise (b. 1804), and was probably pregnant by Jonathan Lewis, a well-to-do store clerk employed by Benjamin Elliott, the Clerk of Superior Court and future owner of the Cedar Falls cotton factory. The “Bastardy Bonds” for Nancy and Henry can be found in the Randolph County papers at the NC State Archives (for years they were hidden by local historian Laura Worth, who disapproved of the facts). Following the child support law of the time, Naomi charged each father with “begetting a child on her body;” each man then posted a bond publicly insuring that the county would never have to pay to support their children.

(Cost sheet from November 1810 term of Superior Court, showing the expenses of arresting and holding Jonathan Lewis for trial.)

Apparently the argument between Naomi Wise and Jonathan Lewis arose when she revealed her pregnancy, but demanded that Lewis marry her rather than post a Bastardy Bond. Lewis was in fact charged with her murder, jailed after the inquest, but escaped before trial. He fled to Elk Creek Indiana, where he was eventually re-arrested and extradicted back to Randolph County. Jonathan Lewis was tried and acquitted for the murder of Naomi Wise in 1811 (all of these court records are in the state Archives).

What physical evidence remains beyond the site of her grave?

“He promised to meet me at Adams’ Springs” — Adams’ Spring is located on the west side of Brown Oaks Road, about a hundred yards south of the Woolen House (NS:11, p. 116 of my architecture book) which fronts on New Salem Road.

The local school was once located near the spring, which was for many years marked by a gazebo. Nothing marks the spot now, save oral tradition.

To the left of the shed in the grainy newspaper photograph above is a piece of paper tacked to an almost-invisible stump—the very one, it was said, used as a mounting block for Naomi Wise to mount Jonathan Lewis’ horse and ride to her death. This is the kind of local landmark once a common part of every historic site, but gradually lost to the passage of time and the deaths of all those with first, second or third-hand knowledge of the event. Compare the open landscape of the early-20th-century photo with the modern view of trees, weeds, scrub pines and brambles…

Finally, the site of the murder survives: Naomi Falls, taken near dusk from the Naomi bridge over Deep River. The camera position is just west of the site of the remodeled Peter Dicks Mill (see that entry), and the distant rocks in the center water mark the site of the falls and ford once covered by the dam impounding water to power the 1881 Naomi Cotton Mill. Here it is in daylight….

And here, a hundred years ago- Victorian picnickers at the site of the murder….

(from the historical photograph collection of the Randolph Room, in the Asheboro Public Library.)

There you have it—Randolph County’s most famous murder.  Both more, and less, than local history recognizes.

NOTES:

Here’s the wikipedia link:   http://en.wikipedia.org/wiki/Omie_Wise .  The article perpetuates some errors but includes a good general overview of the topic.

Here’s an internet transcription of the classic Manley Wade Wellman retelling of the tale in his book Dead and Gone; it is by far the most readable version of the story:  http://www.allredfamily.org/naomiwise.htm .

Local historian Calvin Hinshaw says that he was told back in the 1950s by New Salem resident George Newman Hinshaw that the narrative poem first printed by Braxton Craven was written by Levi Beeson and his mother soon after the event.  The format of the poem copies a traditional “ballad of experience,” which always begins with a call to the audience (“Come all ye-“) and then proceeds to explain the sad story of the subject victim.

There are MANY different versions and printings of the original Craven story, and even more versions of the ballad.  The original ballad, reconstructed by Eleanor Long-Wilgus, was said to have been sung to the hymn tune “How Firm a Foundation,” composed in the 18th century by Anne Steele (It works- try it with the Craven ballad transcription).   Two of the most recent singers to try out the ballad are Bob Dylan and Elvis Costello- quite a journey from the banks of Deep River in 1807!